Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael portrait of julius11 oil painting


portrait of julius11
national gallery, london oil on wood, 108x80cm se
Painting ID::  64844
Raphael
portrait of julius11
national gallery, london oil on wood, 108x80cm se
   
   
     

Raphael pope leo x with cardinals giulio de' oil painting


pope leo x with cardinals giulio de'
medici and luigi de' rossi gallerie degli uffizi, florence oil on wood , 154x119cm se
Painting ID::  64845
Raphael
pope leo x with cardinals giulio de'
medici and luigi de' rossi gallerie degli uffizi, florence oil on wood , 154x119cm se
   
   
     

Raphael portrait of bindo altoviti oil painting


portrait of bindo altoviti
national gallery , washington oil on wood, 60x44cm se
Painting ID::  64846
Raphael
portrait of bindo altoviti
national gallery , washington oil on wood, 60x44cm se
   
   
     

Raphael interior of the villa farnesina oil painting


interior of the villa farnesina
se
Painting ID::  64847
Raphael
interior of the villa farnesina
se
   
   
     

Raphael galatea oil painting


galatea
farnesina, rome fresco se
Painting ID::  64848
Raphael
galatea
farnesina, rome fresco se
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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